Joe
Bonamassa(us) Alt
som tolvåring fikk han glimrande kritikkar av m.a. BB King. I
dag som 30-åring vert han rekna som ein av dei store
fremadstormande blues-rockarane i USA. Han har alt gitt ut
mange plater med stor suksess og har samarbeida med store
bluesartistar og svært kjende produsentar. Han er rett og
slett ein glitrande gitarist med ei flott stemme. I 2005 blei
han enno ein gong kontakta av BB King for å opna hans ”80th
Birthday Celebration Tour”.
På sitt siste album "You
And Me" som kom ut i fjor spelar han rock og blues som er
stekt inspirert av Peter Green, Jeff Beck, Eric Clapton og John Lee
Hooker. Når han entrer scena i landets største bluestelt den
6. juli kan
vi forsikra oss om at bluesmusikken verkeleg har ei stor framtid!
Frå biografien Born
in upstate New York, Joe Bonamassa started playing guitar, on a
short-scale Chiquita, at the age of four. By seven he had graduated
to a full-scale model and a year later, he was playing the blues
like a veteran. Says Bonamassa, "My father was a guitar dealer
and player, so guitars were always around the house and part of my
life. They were like chairs or tables, in that they were just as
everyday."
At ten, Joe began performing at local venues and at twelve, he was
asked to open for B. B. King. The blues legend, after hearing Joe
play for the first time, declared, "This kid's potential is
unbelievable. He hasn't even begun to scratch the surface. He's one
of a kind." King's high regard for Joe would be echoed by other
guitar greats the young performer would go on to work with,
including Buddy Guy, Danny Gatton, Robert Cray and Stephen Stills.
While still in his teens, Joe met musician Berry Oakley, Jr., and
together they put together the group Bloodline. Signed to EMI
Records, their self-titled debut CD on EMI produced two chart hits,
"Stone Cold Hearted" and "Dixie Peach," both
hard-driving fusions of blues, boogie, funk, and southern roadhouse
rock. Following initial success, Bloodline eventually disbanded.
Joe, realizing that he would need to do more than play guitar, began
studying with a vocal coach.
In 2000, Joe finished work on his debut solo CD, A New Day Yesterday.
With his newfound vocal confidence, the disc featured appearances by
such respected players as Gregg Allman, Rick Derringer, and Leslie
West. The CD's producer, legendary Tom Dowd, had, in the course of
his 25-year career at Atlantic Records, recorded with such greats as
Aretha Franklin, Ray Charles, Eric Clapton, Rod Stewart, John
Coltrane, Ornette Coleman, among countless others. Dowd quickly
became a Joe fan and friend.
The memorable melodies and potent guitar work of A New Day Yesterday
brought to mind the classic blues-based rock of Cream, Lynyrd
Skynyrd, the Jeff Beck Group, and the Allman Brothers Band. The CD
included outstanding originals such as "Miss You, Hate You"
and the slide guitar showcase "Cradle Rock," along with a
powerhouse version of the title song "A New Day Yesterday,"
first recorded by Jethro Tull in 1969. Upon returning from the road
in 2002, Bonamassa hooked up with Clif Magness (Avril Lavigne) to
record the muscular and sweeping studio disc So, It's Like That,
which hit #1 on the Billboard Blues Chart multiple times. With its
inspired fusion of classic blues and pop production, So, It's Like
That helped expand Bonamassa's already impressive fan base.
To celebrate 2003 "Year of the Blues," Bonamassa released
Blues Deluxe, featuring nine cover versions of blues classics along
with three originals. For years, fans had asked whether Joe would
ever do a classic blues album. So when the So, It's Like tour ended,
Bonamassa entered the studio with producer Bob Held and engineer
Gary Tole (David Bowie, Jimmy Vaughan, Bon Jovi) and recorded some
of his favorite blues covers just to "blow off steam." The
resulting masters were so compelling that Bonamassa and his label
decided to finish the record and release Blues Deluxe.
Around this time, Joe became involved with "Blues in the
Schools," a program developed by the Blues Foundation to help
perpetuate the heritage and legacy of blues music to new generation
of fans. The lectures take teenage students on a journey, tracing
the evolution of blues music, from its birth among the field workers
of the Delta during the late 1800's up to the present day. The
lectures are followed by a live performance by Bonamassa.
Bonamassa's next CD, Had To Cry Today, continued where Blues Deluxe
left off. Mixing original and classic blues, the CD incorporates
influences of Chicago, Delta and British blues into something
electrifying and wholly unique. From the 40's and 50's music of B.B.
King, Muddy Waters and Buddy Guy, to the English invasion of the
Yardbirds, Clapton and Cream, Had To Cry Today deftly elaborates on
the many faces of one of modern music's most influential genres.
In the summer of 2005, Bonamassa was personally asked by BB King to
open for his landmark 80th Birthday Celebration Tour. A few months
later in January 2006, Bonamassa, in recognition of efforts in
promoting blues music through North America and Europe as well as
his efforts with Blues in the Schools, was nominated as the youngest
member of The Blues Foundation committee board.
Bonamassa's latest CD, You and Me, is scheduled for a June 6, 2006
release. The new CD marks the debut collaboration of Bonamassa and
producer Kevin Shirley (Led Zeppelin, The Black Crowes, Aerosmith,
Joe Satriani). Says South African-born Shirley: "When I was
approached to work with Joe, I already knew he was an awesome
talent, but I also knew I'd want to do something a little different
from a straight blues album. There are a lot of very good blues
players performing copycat versions of classics. I wanted more of a
rock sound, and I wanted Joe to showcase his depth and versatility;
his vocals as well as his incredible guitar playing."
A powerful fusion of the "big rock sound" and swampy
blues, You and Me gets much of its inspiration from such masters as
Peter Green, Jeff Beck, Eric Clapton and John Lee Hooker. Bonamassa
delivers all the excitement and power of his electrifying live
performances while mixing it up with dynamic music choices; from
hard to soft, electric to acoustic, a music roller coaster seldom
achieved by recording artists today. Along with his ever-expanding
vintage guitar collection, Bonamassa makes his home in Los Angeles.